Tuesday, 31 May 2022
À La Sauvette | On The Run
Saturday, 28 May 2022
Bao Bleu
A just published article in the T Magazine of The New York Times caught my eye and while it's a sort of advertisement for an exquisitely elegant dim sum Chinese restaurant in Paris, the video -which I found on its website- reminded me of Wong Kar Wai's famous In The Mood For Love and my own The Wasted Years (which was photographed in a Chinese restaurant in NYC's West Village).
From the article: "...The bao and dim sum restaurant nods to traditional Chinese teahouses and incorporates bold materials and colors, particularly the blue and white of traditional porcelain. The ground floor features velvet banquettes and an oversize reproduction of a Ming painting offset by neon yellow trim, while the upper level has more of a boudoir feel. Armchairs and daybeds replace tables and chairs, and Maison Martin Morel floral wallpaper inspired by Wong Kar-wai’s film “In the Mood for Love” sets a romantic scene for throwing back char siu bao, Dongpo pork and ginger milk pudding.In comparison, here's The Wasted Years:
Friday, 27 May 2022
The Sisters | Outtakes
Tuesday, 24 May 2022
POV | A No-Brainer
The weather gods were smiling yesterday in New York City, and naturally Washington Square Park was crowded with people...visitors from out of state, foreign tourists, NYU students celebrating graduation, weed sellers and artists selling their wares.
With my back to the still bright afternoon sun, I photographed Ali and Nia by the fountain....both expressed their appreciation at being photographed and asked for the images to be sent over via Instagram which I planned to do. This was done later in the same evening.
I processed and edited about 12 or so frames to compensate for the sunny conditions (which can be seen above), and also duplicated them so as to use one of my favored ON1 LUT presets (which can be seen at the end of this post). I then forwarded all to both Ali and Nia.
They both loved the photographs, but also asked me if I would send them the unedited versions as well which they called "RAW". I explained that there was no reason at all to send them the RAWs -as each was over 120mp- and that I didn't understand their need for non-edited versions.
I pointed out that the non-LUT photographs sent were very lightly edited to tackle reflections, uneven shine etc so their difference with the SOOCs was minimal. No photographer should share their RAW images unless contractually asked for in a professional setting.
As is widely circulated amongst photography circles "would an author or writer share his drafts?". The answer is a resounding no.
It's a no-brainer.
The LUT+ Preset versions:
Saturday, 21 May 2022
Galiya | Chinatown
Saturday, 14 May 2022
Libin & Bianca @ NYU
Thursday, 12 May 2022
"Vee" | Pink Braids
Sunday, 8 May 2022
Galiya Serdali | Magazine
Saturday, 7 May 2022
Cotton Candy | Mizuki
It was a glorious day in Washington Square Park where hundreds of various vendors hawking their wares were arranged in a neat circle around its fountain.
NYC MELTS ICE | Anti ICE Protests
The anti‑ICE protests in New York City have surged over the past week as part of a wider wave of national demonstrations against Immigrati...

-
Chinatown 65:24 by Tewfic El-Sawy on Exposure I recently decided to experiment with the 65:24 aspect ratio option in my GFX50R (and fo...
-
Image Copyright © Phil Borges-All Rights Reserved Three years ago, Phil Borges partnered with the organization CARE to bring attention to th...