Jan Møller Hansen | The Raute of Nepal

Photo © Jan Møller Hansen-All Rights Reserved 

The Raute are the last hunter-gatherers of Nepal and are only a handful of societies that still do so around the world. It is estimated that they are less than 150, and are the last nomadic people of Nepal. The forests that were their traditional home have more or less disappeared, but they still follow their ancient way of life, staying in one place for a few weeks, then moving on.

Despite pressures of modernity, they wish to remain full-time foragers and reject assimilation into the surrounding farming population. They subsist by hunting langur and macaque monkeys, and gathering wild yams, rice and a few kinds of vegetables traded from local farmers.

The Raute are constantly on the move. They hold no jobs, or and no one goes to school. They grow no crops of any kind and have no livestock. Largely dependent on government handouts, they resist conformity, and remain intractable, secretive and deeply suspicious of outsiders. This, they believe, will preserve their identity and ensure their survival as a distinct community.

The Last Hunters and Gatherers of the Himalayas is an exhaustive photographic gallery of the Raute consisting of 253 photographs by Jan Møller Hansen.

Jan Møller Hansen is a self-taught photographer, who works in visual story telling and social documentary. He lived four years in Nepal (1991-1995), four years in Vietnam (2000-2004), five years in Bangladesh (2007-2012) and worked in short-term diplomatic and international development cooperation assignments in a number of Asian and African countries. 

He currently resides and works in Kathmandu, Nepal. When time permits, he works on various themes in Nepal and in the Himalayan region. He speaks Nepali and has in-depth knowledge about Nepal and the region. In 2015, he published the photo book "Images of Nepal" and was recognized as IPA People Photographer of the Year 2015.

Jan Møller Hansen | The Sadhus (Monochrome)

Photo © Jan Møller Hansen - All Rights Reserved

I missed this year's Maha Shivaratri (or just Shivratri) in Kathmandu! Celebrated on February 17, 2015 by Hindus all over the world, it glorifies the Hindu god Shiva, believed to be the lord of cosmic destruction and dance.

It's described as starting with a night vigil leading up to the day of the festival during which many Shiva devotees fast and offer special prayers. Shiva is worshiped in the form of a lingam, a vertical, rounded column, representing the male creative force and the infinite, indescribable nature of God, and the yoni which represents female creative energy. Together they represent the union of organs, and the totality of creation.

And listen to this: flowers, incense and other offerings are made, while prayers are chanted. Bhang, an intoxicant made from the cannabis plant is consumed by many on the occasion of Maha Shivaratri.

How could I have missed it?

Anyway, to partially redress the disappointment is Jan Moeller Hansen's The Sadhus,  a monochrome gallery of about 50 portraits of these itinerant ascetics in Kathmandu; some of who attend the Maha Shivaratri festival with considerable zeal. After all, Nepalese authorities are said to have spent almost Rs 900,000 in cash, food and blanket donations to the 5000 sadhus who had come from various parts of Nepal and India to celebrate the festival at the Pashupatinath Temple premises.

It was estimated by the Nepali newspapers that around a million devotees from India and Nepal thronged the ancient Pashupatinath temple in Kathmandu on Maha Shivratri festival on February 17.

Jan Møller Hansen is a self-taught photographer interested in social documentary and street photography. A senior diplomat working with the Ministry of Foreign Affairs of Denmark, Jan is presently based in Kathmandu, Nepal.

Around 24 galleries of his photographs (some color and others in monochrome) are of Nepal. Jan also photographed the Rana Tharus who live in the Tarai, a narrow strip of land which extends across 550 miles of the southern border of Nepal, next to northeast India, and whose ethnic origin are said to be  Rajput, members of a high caste in Rajasthan.

Carlos Esteves | Bhaktapur

Photographs © Carlos Esteves (CE-TOP Photography)- All Rights Reserved

I start the new year with photographic work from Carlos Esteves, a Portuguese photographer who, in some of his galleries, merges travel photography with an aesthetic akin to fashion photography.

I particularly liked Carlos' work from Bhaktapur in Nepal, where he not only photographed in the streets of this ancient city, not far from Kathmandu, but also photographed what I presume are dancers in traditional Nepali court costumes. At first glance, and seeing some of these dancers looking out of ornate windows, I thought that they might have been Kumari Devi (the "living goddess" who are pre-pubescent girls considered to be the earthly incarnations of the goddess known as Taleju in Nepal), but they were dressed as such.

Bhaktapur is known as the 'City of Devotees' and is considered as Nepal's cultural gem. It is one of the three royal cities in the Kathmandu Valley. The others are Kathmandu, the capital of Nepal, and Patan.

Carlos Esteves has a degree in Computer Science and a Master in Business Administration, and is  mainly a self-taught photographer. His portfolio is certified by the Associação Portuguesa dos Profissionais da Imagem. He's passionate about traveling, and travel photography is a large component of his portfolio, and photographic interests.

Michael Švec | The Kingdom of Mustang

Photo © Michael Švec-All Rights Reserved

Mustang (derived from the Tibetan word Möntang) is the former Kingdom of Lo where Tibetic languages are still widely spoken and traditional Tibetan culture remains. It was once an independent kingdom, although closely tied by language and culture to Tibet. From the 15th century to the 17th century, its strategic location granted Mustang control over the trade between the Himalayas and India. At the end of the 18th century the kingdom was annexed by Nepal. Its monarchy ceased to exist on October 7, 2008, by order of the Nepalese government.

It's a weeklong hike from the nearest airport (usually Jomsom or Pokhara) to the capital city of Lo Manthang, which is is one of the best-preserved medieval cities in the world, and which was  recognized by UNESCO as a world heritage site.

The remoteness of Mustang hasn't discouraged Michael Švec from traveling to photograph its landscapes and people, and produce a wonderful audio-slideshow titled The Last Forbidden Tibetan Kingdom.

While Michael Švec is a digital art director in Prague, he is also a documentary and fine art travel photographer, who works on assignments in Asia, Middle East and Europe. He traveled the world for more than ten years, focusing his lens on documenting traditions of changing cultures around the world, human rights issues and spirituality within people and places.

He tells us that he likes to stay with the people of the regions he travels to, he lives with them, eats with them and shares their lives as much as they allow him to. He needs to be accepted by the community before taking the pictures. Nice sentiment, and a difficult to achieve sometimes.

Michael's portfolio includes an audio-slideshow of the Indian Kushti wrestling, as well as slideshows of the Kalash people of Chitral in northern Pakistan, of the Pushkar camel fair and of the tribes of the Kutch.

Delve a little deeper, and you'll find photographs of Rio de Janeiro, Rajasthan, Ethiopia, Nepal, Kashmir, Iran, Morocco and Kashmir amongst others.

Jeremy Snell | Portraits Of A Sadhu

The staff at Vimeo picked Jeremy Snell's Portraits of a Sadhu, and it garnered over 7,000 views at the time of my writing this post.

The (almost) 3 minutes video introduces us to Rada Baba, a sadhu currently living at the Pashupatinath Temple in Kathmandu. It's the oldest Hindu temple in Kathmandu, and is about 3 miles from Nepal's capital city. Sadhus, such as those shown in Jeremy's video, are common at this temple, especially as it's considered as one of the subcontinent’s four most important Shaiva pilgrimage sites.

It's said that some of these sadhus who are present at Pashupatinath, are members of the Gorakhnath cult, who follow a tantric path, practicing to free themselves of sensual passions and go beyond the attractions of the physical world.

Like Shiva, sadhus use of intoxicants as a so-called path to "spiritual insight". Shiva supposedly discovered the merits of ganja (cannabis), which grows wild in Nepal. They consume the weed in the form of bhang (a liquid preparation) or hashish smoked in a vertical clay pipe known as a chilum.

In a recent post POV: Sadhus, Charlatans or Not, I wrote that I thought most sadhus were a cross between homeless charlatans and spiritual ascetics....but the more difficult question to answer is whether they became ascetics because of poverty or because of some form of inherent spirituality. Charlatanism is an integral part of many of them, but they may have resorted to this activity because of need.

This issue was discussed at some length on my Facebook page. Whether you side with the more plausible view that there are many more fake sadhus than real ascetics, or not, you'll enjoy this short documentary video. I've seen and photographed these sadhus, and I know first hand that they know how to be photogenic. I recall sitting in Durbar Square in Kathmandu, watching two rather flamboyant sadhus, milking tourists who wanted to take their picture. When the light was gone, they hailed a rickshaw...and went home.

Jeremy Snell is a commercial & fine art, portraiture photographer/filmmaker based in Honolulu(Hawaii).

Alexis Pazoumian | Sadhu Hundred

©Alexis Pazoumian-All Rights Reserved

Sadhus...depending on your point of view or experience, they can be spiritual ascetics, devout mystics, philosophic vagabonds, or homeless charlatans. I can say that many of the sadhus I've encountered (and I have met a lot during my countless travels in India) are a bit of all these descriptions, but most are charlatans, preying on the generosity, spirituality and superstition of lay people...many of whom are equally poor. That said, they are photogenic and they know it.

It is estimated there are 4 to 5 million sadhus in India, and these belong to two main sects: the Shaiva sadhus, who are ascetics devoted to Shiva, and Vaishnava sadhus, who are renouncers devoted to Vishnu (including Rama and Krishna). Although some sub sects have properties that generate revenue to sustain members, most sadhus rely on donations, and poverty and hunger are realities for many sadhus.

Alexis Pazoumian's Sadhu Hundred is a photo gallery of sadhu portraits; some of which were photographed at the Pashupatinath Temple located on the banks of the Bagmati River in Kathmandu. It's one of the most significant Hindu temples of Shiva in the world.

You'll note the sadhus following Shiva wear a tilak of three horizontal lines across the forehead, while the tilak of Vaishnava sadhus usually include two or more vertical lines resembling the letter U, which symbolizes Vishnu's foot.

Alexis Pazoumaian is a photographer in France who, after completing a two-year course in a graphics school, turned to photography. He spent six months documenting and living in one of Rio de Janeiro’s favelas,  and was finalist in a contest by “Paris Match” for photojournalism students.

His clients include Agence Elan, Premicefilms, Elie Saab, Maje, Hilldale production, Toshiba, Caviar Agency, We love Art, Monsieur White, Société Général, Maison Sauvage, Grand Palais, Groupe Vendôme, and Agence moderne. 

Drew Doggett | Omo Valley & Slow Road To China

Photo © Drew Doggett-All Rights Reserved

Idly thumbing the pages of a society magazine aimed at the residents on Long Island, I stumbled on an article about Drew Doggett's horse photography, which mentioned that the photographer had trekked in Nepal and Ethiopia.

I visited his website which showcases a couple of Drew's galleries that are a perfect fit to feature on The Travel Photographer blog. The first gallery is Omo: Expressions of a People...which in 2012 was accepted into the Smithsonian African Art Museum’s photographic archives. These monochrome photographs are influenced by the photographer's having trained in fashion photography as an assistant to Steven Klein and Mark Seliger, and is the second of several expeditions Doggett has planned as part of a ten-year project.

Slow Road to China is a photo gallery of the inhabitants and mountains of the Humla region of northwestern Nepal. Also in black and white, these images document a disappearing Tibetan culture.

Photo © Drew Doggett-All Rights Reserved

Humla is considered one of the most remote and isolated regions in Nepal, reachable only by foot or small aircrafts which irregularly land in the district head quarter, Simikot. It is situated high in the Himalaya, in the Karnali Zone bordering the Tibetan Autonomous Region. Its northern part is populated by a Tibetan ethnic group, referred to as Lama in the region.

Taylor Weidman: Mustang

Photo © Taylor Weidman-All Rights Reserved

"Mustang is arguably the best-preserved example of traditional Tibetan life left in the world."

And so says Taylor Weidman in the recently featured article on NPR's website.

The title of the article is Can Photos Save A Vanishing Culture? especially as the younger generation in this Kingdom is becoming increasingly disconnected from its traditions, because those who can afford to go to school leave for neighboring Kathmandu or India, and do not return.

I do not believe that photographs can save a vanishing culture, but if "save" means and is used in the context of preservation, then yes...they do. In the case of the Omo Valley tribes, as an example, the literal influx of tourists and their cameras has impacted the traditions of these proud people. I have seen (and featured) a number of photographs of Omo Valley tribes people wearing all sorts of headgear and dress that are not indigenous to their culture...and were more akin to avant garde fashion models, set up that way by over imaginative photographers. This type of photography is not 'saving' but exploiting.

Taylor Weidman is a photographer and founder of the Vanishing Cultures Project. He worked with a number of magazines and NGOs, and his photographs were exhibited in Geneva, Montreal and New York. Graduating with a Master's in Photojournalism from the S.I. Newhouse School of Communication at Syracuse University, he worked at The Christian Science Monitor, then completed a long-term photography project about the Tibetan Kingdom of Lo as a Fulbright Fellow in Nepal.

Kishor K. Sharma: The Rautes of Nepal

Photos © Kishor K. Sharma - All Rights Reserved

Seeing this on my Facebook page made me break my traveling 'omerta'...it's a gallery titled Living In The Mist: The Last Nomads of Nepal by photographer Kishor Sharma.

According to an entry in Wikipedia, the Raute people are a nomadic ethnic group of Nepal. They are known especially for their hunting of langur and macaque monkeys for subsistence, and gather wild forest tubers, fruits, and greens on a regular basis, but do no farming. For grain, they trade handmade wooden bowls and boxes to local farmers. It's estimated that the Raute nomads do not exceed 200.

The Rautes emphasize that they wish to remain full-time foragers and have no wish to assimilate into the surrounding farming population.

Kishor K. Sharma, is a self-taught photographer/photojournalist based in Kathmandu. He completed his studies in Business, and joined the College of Journalism and Mass Communication in Kathmandu to pursue Master’s degree in Mass Communication and Journalism. He was invited to attend the 2010 Angkor Photography Workshop and took workshops with Antoine d'Ágata, Philip Blenkinshop and Munem Wasif, among others.

Al Jazeera Documents Mustang

Tibetan Buddhism still survives intact in Upper Mustang - a once forbidden kingdom high in the Nepalese Himalayas. Here is Al Jazeera's Steve Chao's documentary on his travels to Mustang, the former Kingdom of Lo and now part of Nepal.

Mustang was once an independent kingdom, but tied by language and culture to Tibet. From the 15th century to the 17th century, its strategic location granted Mustang control over the trade between the Himalayas and India. It now relies on tourism, animal husbandry and trade.

I also noted the recent death of Michel Peissel, who was a French explorer and an ethnologist who devoted a good part of his life to recording the culture of Tibet. He managed to gain access to the Mustang region in the early 1960s; which led to his book “Mustang: A Lost Tibetan Kingdom.

Al Jazeera also features a wonderful gallery of photographs of Mustang.

Readers of The Travel Photographer's blog may recall that I wrote of a cashier at a corner store near my building, who told me she was born in Mustang! A Mustang born woman working in a corner store in New York's West Village. How incredible is that?!

Francisco de Souza: Travel Photography

Photo © Francisco de Souza-All Rights Reserved

The website of Francisco de Souza is populated with galleries of India, Bangladesh, Nepal, Thailand and Vietnam...large images which grab viewers the way images should. None of this silly small photographs to "protect my work" from Francisco. He wants to show his images, and he does.

His biography tells us he was born and raised in Zimbabwe, where he started to photograph his Shona tribal neighbours since he was eleven. Subsequently displaced from his Zimbabwean home, he travelled to many developing countries in Africa, the Indian Subcontinent, and South East Asia. It is there he started to actively work with and support Non Government Organisations in Indonesia, India and Zimbabwe.

Francisco's work has been shortlisted in the Digital Photographer of the Year competition in 2009, and he received a Diploma in Photography from The Photography Institute of New Zealand in 2010.

In his India gallery, Francisco features an elderly woman in a red sari, possibly a Gujarati or Rajasthani tribal judging from her tattoos, being helped unto the back of a truck...a perfect capture in time and motion.

Viviane Dalles: Kingdom of Mustang

Photo © Viviane Dalles-All Rights Reserved

This is the second time that work by the talented Viviane Dalles is featured on The Travel Photographer blog. Viviane quit her job at the archives of Magnum Agency in 2005, and booked a flight to Tamil Nadu in early 2005, following the devastating tsunami that affected the whole region.  Her clients include LeFigaro Magazine, Le Monde 2, La Tribune, Paris-Match, Internazionale, Le Figaro, Le Monde, The Guardian, among others and she's currently based in Sydney.

Not only is her work talented, but she also traveled and photographed in Mustang, the almost mythical former Kingdom of Lo and now part of Nepal, and has added its gallery to her website.

"Time rolls on, the sun which blurs into the horizon tells us to pick up the pace, otherwise the thick night will keep us prisoner in this immense and silent cage."-Viviane Dalles

Viviane's work in Mustang consists of 31 landscapes, documentary and portrait photography. There's precious little infrastructure in Mustang, and though foreign visitors have been allowed to the region since 1992, tourism to Upper Mustang, similar to Bhutan for example, is regulated.No more than 1000 tourists a year are granted permits.

Rubin Museum of Art: Thomas Kelly's Sadhus

Photo © Thomas L. Kelly- Courtesy The Rubin Museum of Himalayan Art

I readily admit to having fallen out of love with the Rubin Museum of Himalayan Art in NYC. Perhaps it was on account of its email newsletters, which for the most part are not terribly informative and are designed to bring you in to see movies and such....giving me the impression that it has lost its way and had become over-commercialized. I know, museums have to make a living, but that's how I feel.

So walking by it yesterday morning, I was glad to see its exterior panels advertising Body Language: The Yogis of India & Nepal, an exhibition of color photographs by Thomas L. Kelly. It certainly seems to be interesting event I hope to visit soon.

I had no idea who Thomas L. Kelly was, but a quick search revealed that his resume is extensive. He first came to Nepal in 1978 as a USA Peace Corps Volunteer, and has since worked as a photo-activist, documenting the struggles of marginalized people and disappearing cultural traditions all over the world. He has been recording the lives of sex workers and the traditions of prostitution across South Asia, and worked for UNICEF, Save the Children Fund (USA), Aga Khan Foundation, amongst others, while his editorial work appeared in the New York Times, Time, Newsweek, National Geographic, and The Observer.

My view on sadhus is a jaundiced one. I've met countless of these vagabond ascetics over my many photo trips to India, and I'm of the view that most of them are charlatans. They are not much better than spongers...exploiting the generosity and gullibility of people who see them as holy men, which they are not. Even those I saw and met at the gigantic Maha Kumbh Mela, and certainly those in Pashupatinah (Kathmandu), are of that ilk. I did encounter real ascetics on a few occasions. One of these occasions was in Varanasi. Not on the ghats (always a magnet for flim-flam artists scamming tourists), but rather at an ashram for elderly sadhus. Here were men who had renounced their worldly belongings, and had opted to live in complete abnegation. Some had been doctors, engineers and accountants. In contrast to the ambulant pseudo sadhus, no stimulants of any kind were used at that ashram.

From a photographer's perspective, these pseudo-sadhus are colorful, exotic and photogenic...the weirder the better...and their way of life and their ganja habits make excellent photography. Whether they are true ascetics or not is not really relevant to us photographers...however it's worth knowing that who we photograph is not really what they purport to be.

The Rubin Museum's blurb on the exhibition has this: "Sadhus renounce worldly life, earthly possessions, and social obligations in order to devote their lives entirely to religious practice and the quest for spiritual enlightenment, making them an important part of the Hindu cultures of South Asia."

While the blurb is perhaps theoretically correct, only a fraction of sadhus really observe that sort of renunciation...but it makes for good reading.

Charles Pertwee: The Khumbu

Photo © Charles Pertwee-All Rights Reserved

Charles Pertwee is a photojournalist, known for his reportage in crisis stricken locations such as Banda Aceh and Afghanistan. He graduated from the School of Oriental and African Studies in London with a degree in the History of East Asia, and took up photography soon after graduation. He has since worked for such diverse clients as The New York Times, Wired, CNN Traveller, Marie Claire, Universal Music and Nike. He's currently based in Nantes, France after living in Singapore. 

His galleries are all worthy of praise, but the two that appealed to me the most are of his work of The Khumbu (in black & white) and of Myanmar (Burma).

The Khumbu is located in northeastern Nepal, and the famous Tengboche Buddhist monastery is there. Tengboche is the largest gompa of the region.

Dennis Cordell: Buddhist Monks

Photo © Dennis Cordell-All Rights Reserved

383...that's the number of square format black & white portraits of Buddhist monks (and a few sadhus) that Dennis Cordell is exhibiting on his website; all made with a film Hasselblad which he prefers to the 35mm format. These are not photographs made because the subjects are handsome or beautiful...they're are ethnographic in nature. I believe he uses and pushes Tri-X film, then scans the negatives and prints digitally. I've featured Dennis' portraits of Buddhist novices at the Gyudzin Tantric Monastery School in Ladakh before. These were published on Flickr, but he has now acquired a standalone website.

I'm not certain where all these impressive portraits were made, but I did notice that some had background information that indicated Bodh Gaya. A religious site and place of pilgrimage in the Indian state of Bihar, Bodh Gaya is famous for being the place of the Buddha's attainment of enlightenment. It is one of the most important of the main four pilgrimage sites related to the life of the Buddha. The other three are Kushinagar, Sarnath (both in India) and Lumbini (Nepal).

Dennis trained as a painter, and his favorite subject matter, either in painting or in photography, has always been portraiture...especially of Buddhist monks and similar. He prefers black & white because, in his own voice: "The greater the range of tonality between black and white, the greater, for me, is the image. A photo can never have too many shades of grey. Greys are the midtones that create the designs and textures woven into the photo."

I agree. This is the case, perhaps not always...but often. As I mentioned in an earlier post about my own photographs of Bali, I got too much color while there...and I found black & white more calming...more soothing and more, in a strange way, realistic.

Ian Winstanley: Pashupathi Sadhus

Photo © Ian Winstanley-All Rights Reserved

Here's a collection of sadhus' portraits by Ian Winstanley, a commercial photographer based in the UK. Exclusively involved in the advertising and design industries, Ian later also specialized in fine art based work.

Photographing in Nepal for a book, Ian spent time on the banks of the Bagmati river in Kathmandu's holy site known as Pashupathi. It was here, in 2001, that the much-loved King Birendra and other members of Nepal’s royal family were cremated after a massacre blamed on the crown prince, who also killed himself. The site is considered as one of the oldest and most holy of temples dedicated to Shiva, and sadhus and other Hindu faithful have been drawn to it since the 5th century.

In Hinduism, sadhus are mystics, ascetics, practitioners of yoga and wandering monks. Technically, sadhus are solely dedicated to achieving the fourth and final Hindu goal of life known as moksha, through meditation. However, many of sadhus are nothing more (or less) than wandering homeless individuals, relying on charity of others to survive.

The Economist's More Intelligent Life website has also published some of Ian's sadhus photographs here.

Kevin Bubriski: Nepal

Photograph © Kevin Bubriski-All Rights Reserved
Kevin Burbriski arrived in Nepal as a Peace Corps volunteer in 1975, and spent about 4 years working in remote villages. He returned in 1984 as a photographer, and with a 4” x 5” view camera, a Nepalese photographic assistant, and two porters, he traveled the length and breadth of the country for the better part of three years.

I mentioned Kevin Bubriski's work on this blog in connection with his exhibition at the Rubin Musuem in NYC, but I read (via PDN) that he was named the 2010-2011 Robert Gardner Visiting Artist Fellow at Harvard University’s Peabody Museum of Archaeology & Ethnology. The fellowship carries a $50,000 stipend and will allow the photographer-documentarian to continue his work in the northwest of Nepal.

His work is in the permanent collections of the Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography, all in New York; the San Francisco Museum of Modern Art; the Yale University Art Gallery, New Haven; the Center for Creative Photography, Tucson; and the Bibliotheque Nationale, Paris.

Kevin's website showcases his work from Venice, Pakistan, India, Morocco, Uzbekistan, Egypt and Nepal among other countries...but it's his work of Nepal that resonates the most with me.

Kevin German: Mount Everest

Not many people have their 30th birthday at a base camp of Mount Everest, but Kevin German is one of them, and Luceo Images showcases his photo essay here.

Kevin German studied photography and journalism at Washington State University, and worked for newspapers from California to Florida. In 2008, he moved to Vietnam to focus on humanitarian documentaries, where co-founded the collective Luceo Images. He has won numerous awards, and his clients include Bloomberg News, CNN Traveller, Forbes, International Trucking, Monocle Magazine, National Geographic, Newsweek, The Los Angeles Times, The New York Times, The Wall Street Journal Asia, Time, Vanity Fair, and others.

His photo essays on Vietnam such as In The Footsteps of Ghosts and Forgotten are particularly compelling. Also have a look at the short video Voice of Hope about the undocumented Vietnamese living in Cambodia.

POV: Nepal's Gadhimai Mela: Atrocity?

Photo © Gemunu Amarasinghe/AP/Courtesy WSJ-All Rights Reserved
Here's a thought to coincide with Thanksgiving, one of our most hallowed of celebrations.

The Bariyapur festival (also known as the Gadhimai Mela) has been in full swing in Nepal for the past few days. As you can read in the following excerpt, the age-old festival involves slaughtering of thousands of animals as sacrifice to a Hindu goddess of power.

The ceremony began with prayers in a temple by tens of thousands of Hindus before dawn Tuesday. Then it shifted to a nearby corral, where in the cold morning mist, scores of butchers wielding curved swords began slaughtering buffalo calves by hacking off their heads. Over two days, 200,000 buffaloes, goats, chickens and pigeons are killed as part of a blood-soaked festival held every five years to honor Gadhimai, a Hindu goddess of power.

Animal sacrifice has had a long history in Nepal, an overwhelmingly Hindu country and, until recently, even in parts of India. Notwithstanding, animal-rights protesters from all over the world have decried and criticized this religious tradition as barbaric and atrocious.

My knee-jerk reaction when I saw this photograph on the Wall Street Journal's Photo Journal was one of revulsion, but then I remembered that we, in the United States, will consume 45 million turkeys for Thanksgiving alone...and while the slaughtering methodology may be slightly different, it's still an uncomfortable parallel, isn't it?. If you need to be reminded, you can always look for the clip of ever-hilarious Sarah Palin giving a press conference while a couple of turkeys were being "prepared" in the background.

And for the religious-minded, let's not forget The Binding of Isaac, in Genesis 22:1-24, which is the story from the Hebrew Bible in which God asks Abraham to sacrifice his son, Isaac, on Mount Moriah, but an angel intercedes at the very last minute, and Abraham then sacrifices a ram (who, as luck would have it, was placidly munching grass around the corner) instead.

Similarly, Islam requires Muslims to offer a sacrifice by slaughtering a sheep, cow, or goat during the Festival of Sacrifice or Eid el-Adha. It similarly commemorates Abraham's readiness to sacrifice his son Ishmael (not Isaac as in the Hebrew Bible) in the name of God, who sent a ram instead, thus sparing Ishmael's life. To this day, thousands upon thousands of bleating sheep are slaughtered in Muslim countries because of a religious tradition originating from the Hebrew Bible. Interesting, huh?

As I said, just a thought on this Thanksgiving day. Have a nice one.

Tom Van Cakenberghe: The Living Goddess

Tom Van Cakenberghe is originally from Antwerp, Belgium and lives in Kathmandu, Nepal since 2004 and works as a press photographer.

His website brings us a number of galleries on Nepal, but most interesting to me is The Living Goddess photo gallery...where he captured luminous (and candid) images of the Kumari. He must have been granted special access to be able to make these images. There's no further information on his gallery, but the best known is the Royal Kumari of Kathmandu, who lives in the Kumari Ghar, a palace in the center of the city.

Worshiping a pre-pubescent girl, who is not a born goddess, as the source of supreme power is an old Hindu-Buddhist tradition in Nepal.

The traditions of the Vajrayana sect of Mahayana Buddhism, girls 4-7 years old, who belong to the Nepali Sakya community, and have an auspicious horoscope, are chosen on the basis of 32 attributes of perfection. Among these are the color of eyes, shape of teeth and voice quality.

There are further Hindu-Buddhist rituals that follow which finally determine the real Kumari.