WIRED: Kanepari & Ferguson

Photos © Adam Ferguson (L)/Zackary Canepari (R)-Courtesy WIRED

"The photojournalist has long been known as the lone wolf, traveling solo to the far-flung corners of the world to document experiences few are capable of seeing. By function, it’s often a solitary quest, lonely and alienating; rarely as romantic as the photographs make it appear."

What a great start for the Raw File article written for WIRED by Bryan Derballa!

The article deals with the friendship and healthy competition between Adam Ferguson and Zackary Canepari, two immensely gifted photojournalists working in Pakistan, India and Afghanistan. It appears that they helped each other, and edited one another’s work, always hoping to improve its quality.

WIRED's Raw File's article is in essence two interviews: Ferguson giving his views on Canepari's work, and vice-versa. Quite an interesting read...naturally, they pat each other on the back, but that's what friends do, especially those whose camaraderie withstood difficult circumstances.

Both photojournalists are content to be doing what they want to do at this time. Canepari is back in California pursuing personal projects, while Ferguson is still shooting in Afghanistan.

Zackary Canepari was featured on TTP a few times, and Adam Ferguson's work in Orissa was featured here.

Pakistani Cinema: Zackary Canepari

Photo © Zackary Canepari -All Rights Reserved
TIME Magazine features a photo essay by Zackary Canepari titled The Last Days of Pakistani Cinema.

It's a welcome change from the current run of the mill photojournalism which we normally see in the mainstream media. I've had enough of seeing photographs of frightfully scary Islamic mullahs, with black beards and betel-stained teeth, which seem to delight photo editors, and are standard fare in our newspapers. So I cheer when I see diverse photo reports such as this one.

It seems that in its heyday years, during the 1970s, the movie studios of Pakistan churned out around 200 movies a year, but that has dwindled to a fraction because of the growing accessibility of Hollywood and Bollywood films. It is also threatened by the increasing potency of the Taliban in the northern parts of the country.

Zackary Canepari's toned photographs are always interesting, and he has done it again with this collection. I found some of the actors' photographs hilarious.

POV: NYT & Its Posed Photo

©Zackary Canepari/The New York Times-All Rights Reserved
The New York Times's editors published an unusual apology on Friday. The apology relates to a picture appearing in a May 5 front-page article about the porous Afghanistan-Pakistan border, which showed a silhouetted Taliban logistics tactician, holding a rifle (above). The Times subsequently learned from the photographer that the rifle the Taliban tactician held was not his, and claims that had it known this information at the time of publication, it would not have used the photograph to illustrate the article.

PDN Pulse asks if its readers think this is over the line?

I don't think this is a major issue at all, especially since Canepari seems to have clarified the situation. Frankly, had the editors of The New York Times been half (nay, just one-hundredth) as meticulous with the blatant lies and obfuscations propagated by the Bush Administration which led to the Iraq fisaco as they are now with Canepari's photograph, as a nation we would have been the better for it, and we wouldn't be where we are now.

We all recall The New York Times published lies about the Iraqi's non-existent WMD program as fed to it by members of the previous Administration and their newspaper cronies, and subsequently "apologized" for it.

Update: For another take on the story of the staged picture, read Daniel Sheehan's post on his Photo Blog. He quotes Washington DC photographer John Harrington's view that Canepari "is likely to be persona non-grata at the New York Times, and his journalistic ethics will also likely give other editorial publications pause to hire him."

Of course, the editors of The New York Times who sold us sordid lies about the reasons for our occupation of Iraq are (with the exception of Judith Miller) not personae non gratae. Go figure.

Another Update: I knew my friend Asim Rafiqui would write of the New York Times' silliness in his The Spinning Head blog. He writes this:

"We are supposed to forget that this is also one of a number of American newspapers whose journalists failed to ask even the most basic of questions and failed to examine even the most public of facts during the build up to the invasion of Iraq. Their ethical reporters were on the front lines of journalistic jingoism, helping sell the war to the American public."

Zackary Canepari: The Heart of Punjab

©Zackary Canepari/The New York Times
The New York Times featured the work of photographer Zackary Canepari in a slideshow titled The Heart of Punjab. His above photograph is of young students at a seminary school in Dera Ghazi Khan, a gateway both to Taliban-controlled areas and the heart of Punjab.

One of the key captions in the slideshow comes from the accompanying article:

"The Taliban in south and west Punjab exploit many of the same weaknesses that have allowed them to expand in other areas: an absent or intimidated police force; a lack of attention from national and provincial leaders; a population steadily cowed by threats, or won over by hard-line mullahs who usurp authority by playing on government neglect and poverty."

The accompanying article is by Sabrina Tavernise, Richard A. Oppel Jr.and Eric Schmitt.

In the same vein, PBS featured Children of the Taliban on its FRONTLINE/WORLD program on April 14, 2009.

More photography from Zackary Canepari on TTP (LINK)

Zackary Canepari: Kathputli

As my many posts on TTP show, one of my favorite photographers is Zackary Canepari who has recently shown off his talent with Kathputli Is My Home on 100Eyes, an excellent photo e-magazine published and edited by Andy Levin.

Kathputli Colony slum in North Delhi is an illegal settlement or shantytown, which is both home and a mecca for the thousands of itinerant and non-itinerant magicians, acrobats, jugglers, musicians, dancers and puppeteers who perform in the vast Indian sub-continent. Whether performing in the marble lobbies of top hotels or in the back streets of impoverished slums and villages, the nearly all of the 1,500-3,000 families in the colony are professional performing artists, and consider Kathputli thier home.

Canepari's talents are obvious in the feature. His super-saturated medium squarish format photographs frame his subjects perfectly, and bring out the captured moment of the expression.

I've visited Kathputli a few years ago (and posted about it here), and intend to re-visit it this coming January. Kathputli Is My Home will serve as my inspiration.

My thanks to Graham Ware for reminding me of this feature.

Zackary Canepari: Turning To Madrasas

©Zackary Canepari/NY Times-All Rights Reserved
I like Zackary Canepari's photographic style. Here's a gallery of his photographs documenting for The New York Times a few of Pakistan's madrasas, or traditional Islamic schools, that teach, feed and occasionally house children of the poorest familiest. Whether in Pakistan or elsewhere, some also teach a militant brand of Islam, offering no instruction beyond the memorizing of the Qur'an.

The article written by Sabrina Tavernise is interesting because it provided the background and the root causes for the growing popularity of madrasas in Pakistan; these can be applied to virtually everywhere else where there are such schools. Here's a quote from the article which is illuminating:

"Though madrasas make up only about 7 percent of primary schools in Pakistan, their influence is amplified by the inadequacy of public education and the innate religiosity of the countryside, where two-thirds of people live."

To that, I'd add the condition of extreme poverty of the families and communities that live in the areas where such schools exist. It is therefore right for the Obama administration to address the Pakistani government's inability to deliver basic services such as schools, health care, rule of law, etc. The Pakistani government has left a dangerous void, and politico-religious elements have been quick and adept in filling it.


Posted by TTP's non-robot from London

Zackary Canepari: The Raika of India

Photo © Zackary Canepari-All Rights Reserved
Zackary Canepari is an freelance editorial photographer based in New Delhi, India and whose self-description on his website is "I am a photographer". That's the extent of his biography. His photographs have appeared in The New York Times, Chicago Tribune, IHT, The San Francisco Chronicle and others.

He recently was awarded first place in the Travel Portraits of PDN's World In Focus (The Ultimate Travel Photography Contest); results which were published in PDN's February 2009 issue.

His winning image was the one above of Raika camel breeders Madharam Raika and Bawerlal Raika in the Kumbhhalgarh sanctuary in Rajasthan waiting for their herd to finish grazing. This image is part of a larger photo essay by this talented (but publicity-shy) photographer, and can be found on his website.

The Raikas are also known as Rabaris and Dewasi, and are migratory herders who keep camels, sheep, and goats. They are the largest pastoral group of Rajasthan and Gujarat.

Poll: TTP's Photographer of The Year?

Who Should Be The Travel Photographer's Photographer of the Year?
	Zackary Canepari
	Diego Verges
	Dede Pickering
	Joey Lawrence
pollcode.com free polls

The time of year has come when I normally choose a travel photographer who gets the coveted award of The Travel Photographer's Photographer Of The Year. However this year, I've opted for a more democratic system to elect one of the above four (who were shortlisted by me), and feature this simple poll for my readers to choose the numero uno for 2009.

The blog posts highlighting the work of these four extremely talented photographers are as follows:

Zackary Canepari
Diego Verges
Dede Pickering
Joey Lawrence

The poll will be closed on December 20th. Have fun...!!

Note: This poll was picked up by the Outdoor Photographer Editorial Blog.

Swiatoslaw Wojtkowiak: India

Photo © Swiatoslaw Wojtkowiak-All Rights Reserved
The face on Swiatoslaw Wojtkowiak's website's cover is haunting...I can't tell if she's smiling or not. Have a look, and then explore his galleries which include photographs of East and West Africa, Maghreb countries, the Middle East and India, among others.

Swiatoslaw Wojtkowiak is from Pozanan in Poland, and his photographs were published in CNN Traveler, National Geographic, National Geographic Traveler, Newsweek, Globtroter, FAO, Lonely Planet and many more international and national publications.

He also won a couple of prestigious awards to include the National Geographic Competitions in 2006 and 2007.

I haven't yet had the chance of exploring every single gallery as Swiatoslaw has been photographing virtually everywhere, but the one that captured my attention was his work in India. As you can see from the featured photograph, he's not shy in showing the unusual. His style and processing of some of his photographs remind me of Zackary Canepari's work.

Poll: Follow Up

Some days days ago, I posted a new poll asking my readers to choose The Travel Photographer's Travel Photographer of The Year, and so far Joey Lawrence is leading, with Zackary Canepari not too far behind.

So head for the poll here and, if you haven't already, cast your decisive vote for one of the four superb photographers.

El Rey: East Los Angeles' Mariachis

This is a delightful short documentary featuring Mariachis musicians in East Los Angeles produced by Drea Cooper and Zackary Canepari. The piece features Mariachi musicians who gather on corners of the streets of East Los Angeles looking for work, whether in birthday parties, in cafes, restaurants, quinceañeras, weddings and the like.

To my delight, the main singer belts outs out the famous Mexican song "Volver Volver", initially without the accompaniment of musical instruments. I used to hear it played often in the zocalo of Oaxaca...just delightful.

According to Wikipedia, the term "Mariachi" is said to be an adaptation of the French word for marriage or wedding "mariage" as this type of musical formation plays at these events.

via The Click