Photo © Tewfic El-Sawy | All Rights Reserved |
Its performances involve at least three people: a female singer (đào nương) who both sings and plays the clappers (known as the phách), an instrumentalist (kép) who plays the đàn đáy (three-stringed lute), and a “praise drummer“ known as quan viên who beats the trống chầu.
This ancient art was frowned upon during the Ho Chi Minh era and beyond, but was reinstated as a national treasure since then. In fact, as a result of the UNESCO inscription, some Hanoi venues have booked Ca Trù performances (thought mostly for tourists) in the city’s historic quarter.
The venue for the three performances I attended were held at an ancient venue on 28 Hang Buom Street, whose atmospheric ambiance was just perfect for this art form. It was a sort of reenactment of what would be experienced in the 15th century, with the musicians and singers wearing silk salmon-pink ao dais and headbands. The performances usually last for 45 minutes.
Photo © Tewfic El-Sawy | All Rights Reserved |
I chose to use my brace of Fuji X-T1 cameras; one fitted with a 18mm and the other with the absolutely delightful 56mm. Since the venue was so dark, the lenses were wide open.
The singer-musician seen in my photographs is Ms. Đặng Thị Hường who plays the traditional Vietnamese three-stringed lute, amongst other instruments. She (wearing the dress and headband typical to the royal Vietnamese court) is also featured in my photo essay The Ca Tru Musician; the result of a photo shoot at Hanoi's Ngoc Son Temple.
The technical details for the top photograph are: Fuji XT-1+ 56mm. 1/200th sec Hand Held. f2.0. iso 1600. Spot Metering. Date: 2014-04-02 at 20:16:00 (Hanoi time). Post Processed Using Color Efex and Iridient Developer 3.
The technical details for the lower photograph are: Fuji XT-1+ 18mm. 1/350th sec Hand Held. f2.0. iso 1600. Spot Metering. Date: 2014-04-02 at 20:36:00 (Hanoi time). Post Processed Using Color Efex and Iridient Developer 3.
Here's a short clip of one of the songs I recorded during one of the performances.