Matt Brandon: Thaipusam

Matt Brandon, aka The Digital Trekker, has just produced an audio slideshow using the SoundSlides platform of his photographs of Thaipusam in Penang. Some 800,000 Hindu Tamil and Chinese devotees of Muruga (also called Subramaniam), the Hindu God of War, gathered in Penang to celebrate Thaipusam, and Matt was there to record the images and ambient sound.

In contrast to the nervous energy from his pulsating photographs of the festival, Matt does an admirably calm and well articulated narration. A well done job.

Matt is now living in Malaysia, and travels all around South Asia and beyond on different assignments, and most often shoots people in their natural environment. He also authors an excellent blog called The Digital Trekker, so bookmark it if you haven't already.

As for Thaipusam, I read on Wikipedia that the largest Thaipusam celebrations take place in Singapore, Mauritius and Malaysia. The temple at Batu Caves, near Kuala Lumpur, often attracts over one million devotees!

Patrick Aventurier | The Ma Song

Photo © Patrick Aventurier | All Rights Reserved

Having attended the Nine Emperor Gods festival's celebrations in Kuala Lumpur last month, I was interested to discover a gallery of 50 portraits of The Ma Song by French photographer Patrick Aventurier (which were in all probability taken during the festival in Phuket, and known there as the Vegetarian festival. 

My own experience at the Nine Emperor Gods festival in Ampang was very much milder than what these portraits depict....but let's start with what the festival is all about. 

The Nine Emperor Gods Festival is a nine-day Taoist celebration beginning on the eve of 9th lunar month of the Chinese calendar, and celebrates this community's belief that abstinence from meat and various stimulants during the ninth lunar month of the Chinese calendar will help them obtain good health, peace of mind, as well as spiritual cleansing. Its sacred rituals grant good fortune on those who observe this rite.

In accordance with the traditions, many religious devotees will perform ritualized mutilation upon themselves and one another (always consensual). 

The Ma Song are the people (usually men) who invite the spirits of gods to possess their bodies. Only pure, unmarried men or women without families of their own can become Ma Song. At the temples, they must first undergo a series of rituals to protect them for the duration of the festival, during which flagellation and self-mutilation is practiced. This ritualistic tradition doesn't exist in China and is believed to have been adopted from the Indian festival of Thaipusam.

Notwithstanding, it's said that the Ma Song follow a Chinese logic of fair trade: they volunteer their bodies to be used by the gods in exchange for being kept alive through the gods’ use of their bodies in the future.

Patrick Aventurier is a French photographer/photojournalist with Gamma. He covered conflicts in Lebanon, Israel, Cambodia, Myanmar, North Korea, Indonesia, Philippines, Somalia, Kosovo, and Afghanistan. He is the recipient of a number of awards and recognitions ranging from World Press 1988, a UNESCO award, War Correspondents Prize in Bayeux, and many others.

Note: I seldom -if ever- post commentary from readers, however I make an exception for photographer Cheryl Hoffman, a friend, a long time resident of Kuala Lumpur and an expert in the local cultures of Malaysia, including Taoist rituals and their significance.

Edited for space reason, here's what Cheryl wrote on my Facebook page about The Ma Song blog post:

"The sensationalism of the Vegetarian Festival has removed it almost entirely from the intent of the Nine Emperor Gods Festival. The festival is intended to bring the forces of yin and yang into balance in order to provide for the health of the people. Yes, within Taoism there is a purpose for spirit mediums to show the power of their connection to the gods and sometimes that involves some kind of self-mutilation (or something that looks like self-mutilation but isn't). The antics played out by the Thai spirit mediums are unnecessary to achieve that. It's a circus really. And I don't know why the connection to Thaipusam keeps coming up. I think that increasing extremism amongst Chinese spirit mediums is based in Thailand and trickling into Malaysia. What's happening in Thailand is off the charts compared to the Hindu/Thaipusam version. Piercings for the puja of Thaipusam are undertaken as vows of silence mostly, even in their extremes. There has been increasing sensationalism around Thaipusam at Batu Caves and other places in the past decade. 

(Although) Patrick's portraits are good and they make me sad to think about the young people who are under pressure to do this kind of thing to make an impression and a living."

It's Thaipusam Time...

"The Hindu festival of Thaipusam is about faith, endurance and penance."

Thaipusam is to occur today 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves...and if my network intelligence is accurate, a group of Asian photographers, such as Mervyn Leong, Maika Elan and Hai Thanh (to mention only a few) are already in place to document it..

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks. Not for the faint of heart.

This Thaipusam trailer's direction, cinematography and editing is by Dick Chua, the production coordinator is Kah Hooi Lai, the production assistants are Gary Chuah and CH Tan.

Chris McGrath | Thaipusam

Photo © Chris McGrath-All Rights Reserved

I've posted about Thaipusam a few times already, but I never tire to view the varying angles and scenes that various photographers have featured on their websites.

Chris McGrath is one of the photographers who attended the version of this Hindu festival in
Singapore, rather than Malaysia where it's held annually 13 kilometres outside its capital city, Kuala Lumpur.

In Singapore though, the preparations for Thaipusam begin early in the morning at the Sri Srinivasa Perumal Temple in Little India where the devotees start to perform the necessary rituals. Once these done, the procession moves through central Singapore to another Hindu temple about 2 miles away. The festival occurs on the full moon during the Tamil month of Thai, which occured on February 7, 2012.

On the day of the festival, devotees shave their heads and perform various acts of devotion, notably carrying heavy burdens, and carry out acts of self mortification by piercing their skin, tongue or cheeks with skewers and sharp hooks. 

Chris McGrath is a staff photographer with Getty Images, specializing in editorial and commercial assignments. His images are published in Stern, Newsweek, Time, Sports Illustrated, The Independent, The New York Times, The Los Angeles Times, USA Today, ESPN the magazine, The Guardian, L'Equipe and on daily news and sport websites worldwide. His work has also been recognized with many industry awards including, POYi, NPPA, CHIPP, AIPP, The Atlanta Photojournalism contest, PX3 and the New York Press Photographers Association.

Thaipusam is on my bucket-list, but until I get the time and photograph it myself, I'm happy to feature images of this festival from various other photographers.

Thaipusam | Yeo Kai Wen

Here's an interesting and compelling photo essay on Thaipusam, the Hindu festival celebrated mostly by the Tamil community during January or February. It's mainly observed in countries where there is a significant presence of Tamil community such as India, Sri Lanka, Malaysia, Mauritius Singapore, Indonesia, Thailand and Myanmar.

This particular series of monochrome photographs were made during Thaipusam at Sri Thendayuthapani Temple in Singapore, by Yeo Kai Wen and was featured by Exposure.

It's unusual to see Thaipusam photographs in black and white as it's a colorful festival, with devotees shaving their heads and undertaking a pilgrimage along a set route while carrying out various acts of devotion, which may include self-mortification by piercing the skin, tongue or cheeks with skewers.

The photographer, Yeo Kai Wen graduated from the School of Film and Media Studies with a Diploma in Mass Communications in 2009, and is now specializing in documentary production, print and photojournalism.

Exposure is a storytelling platform specifically created for photo sets which are described as 'narratives'. It appears to have an extremely simple and easy to use editor that lets you drag and drop photos into your browser, and then add headers, body text and captions between photos. The posts feature full-bleed images and imaginative fonts and white space. Three Exposure posts are free, but for unlimited posting, custom domains, password-protected posts, and more, one has to shell out either $5 or $10/month, depending on the package chosen.

Luj Moarf: Thaipusam

The Hindu festival of Thaipusam is about faith, endurance, mortification and penance. In Malaysia, it's an intensely devotional event which can stretch for 3 or 4 days, and is attended by about a million and a half people each year. It's a time for Hindus of all castes and cultures to be grateful to Murugan, a son of Shiva.

It was brought to Malaysia in the 1800s by Indian immigrants working on Malaysian rubber estates and in its government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks. Not for the faint of heart.

Faith-Thaipusam is a 5 minutes video by a photographer called Luj Moarf who describes himself as a traveller, wandering into the world discovering places and people.

Some of the rituals followed during Thaipusam, including the red garments worn by some of the devotees, reminded me of The Oracles of Kodungallur.

Maika Elan: Thaipusam Festival

Photo © Maika Elan-All Rights Reserved

Photo © Maika Elan-All Rights Reserved

I really can't describe Maika Elan's recent photography style with certitude, and don't know if it really fits neatly in a category...but what I do know is that it's ingeniously creative.

First off, Maika's birth name is Nguyen Thanh Hai, and is a freelance photographer from Hanoi. Her photography was recognized with a number of awards, and she's currently working hard on completing her long term project...The Pink Choice, in which she documents gay life in Vietnam and elsewhere.

Maika attended the Thaipusam festival held at the Batu Caves, near Kuala Lumpur in Malaysia, and decided that, rather than documenting this festival in a traditional editorial style, she would try to fuse the festival's ancient rituals and tradition with modern images of Western culture. She did so by photographing popular culture magazines, and then double exposed these with her images made during the Thaipusam festival.

The result is an intriguing collection of images which, if you peer at them closely enough, will reveal faint images of Western models superimposed on Maika's photographs of Thaipusam scenes.

You may prefer to view her gallery on Invisible Photographer Asia.

When I heard she was on her way to photograph the festival, I was certain she'd come up with an unorthodox way of documenting it her way...a la Maika. Yes, that's what I ought to call her style...the Maika style.

MSNBC's Does Thaipusam

Photo © Stephen Morrison/EPA-All Rights Reserved

MSNBC's Photo blog featured Thaipusam, which was observed a few days ago by thousands of Hindus in both Malaysia and Singapore, and who subjected themselves to painful rituals. These included rituals involving self-piercing with hooks, skewers and small blades. Some devotees pull chariots and heavy objects using hooks attached to their bodies. Others pierce their tongues and cheek to impede speech, while others enter into a trance during the self-mortification as a result of the incessant drumming and chanting.

The Asia Society in New York is also featuring Thaipusam on its Photo of the Day page on its website. I wonder what's keeping The Asia Society from bringing us the very best photojournalism of the continent...it's taking baby steps, and yet seems to have the resources to really make a splash in visually fulfilling its mission. Maybe I expect too much?

Thaipusam is an important festival observed by the Hindus of southern India during the Tamil month of Thai (January - February). Outside of India, it is celebrated mainly by the Tamil speaking community settled in Malaysia, Singapore, South Africa, Sri Lanka and elsewhere.

I seldom follow MSNBC's Photo blog....perhaps I should make it a habit to check it every now and then.

Thaipusam Festival In Singapore | Hendra Lauw

Here's an interesting and compelling slideshow on Thaipusam, the Hindu festival celebrated mostly by the Tamil community during January or February. It's mainly observed in countries where there is a significant presence of Tamil community such as India, Sri Lanka, Malaysia, Mauritius Singapore, Indonesia, Thailand and Myanmar.

Thaipusam is a celebration dedicated to the Hindu deity Lord Murugan (youngest son of Shiva and his wife Parvati). 

This particular slideshow was made of a combination of color and monochrome photographs. Thaipusam is a rather striking festival with devotees shaving their heads and undertaking a pilgrimage along a set route while carrying out various acts of devotion, which may include self-mortification by piercing the skin, tongue or cheeks with skewers.

For my taste, the slideshow relies too heavily on the Ken Burns effect; presumably thought by the photographer to add focus to the scenes, but I thought was distracting. Nonetheless, the slideshow made of photographs from a Fuji X-T1, X-T2, and Fujinon XF 14mm f/2.8, XF 23mm f/2.0 and XF 90mm f/2.0 lenses, provides a thorough view of the festival as it occurs.

Hendra Lauw is a Singapore-based photographer. With a background as programmer and IT project manager, he also won the Singapore Best Photography Blog Award in 2010, Best South East Asia Photoblog in 2007 and was finalist for the Best Portrait Photography Photoblog in 2007. He can also be followed on Instagram.

Thaipusam: Kevin WY Lee

Here's a well done video of the festival of Thaipusam (some graphic scenes) by Singapore-based Kevin WY Lee. Kevin WY Lee is a street and documentary photographer and founder of Invisible Ph t grapher Asia, which is not only a collective of photographers in Asia specializing in street photography and visual journalism, but is also a platform, blog, showcase and library archive of street photography and visual journalism in that important part of the world.

I have already posted work by one of their photographers, and I'm consistently impressed by IPA's features...so bookmark it.

It was made using a Panasonic GH2 and Pentax 25mm F/1.4 lens.

Thaipusam is an important festival observed by the Hindus of southern India during the Tamil month of Thai (January - February). Outside of India, it is celebrated mainly by the Tamil speaking community settled in Malaysia, Singapore, South Africa, Sri Lanka and elsewhere.

This short movie was made in Singapore's Thaipusam, where Hindu devotees walk a pilgrimage from the Sri Srinivasa Perumal Temple in Little India, carrying milk pots as offerings or attaching kavadis (heavy burdens) to their bodies, to the Tank Road Temple, four kilometers away.

Andrea Orioli | Thaipusam

Photo © Andrea Orioli-All Rights Reserved

The Thaipusam ritualistic event occurs 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves.

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks.  The devotees perform “Kavadi”, an act of faith where they suffer the pain of dozens of hooks and spears piercing their body during the 272 steps that bring them to the cave temple.

Andrea Orioli photographed Thaipusam, and provides us with yet another view of these not-for-the-faint-of-heart rituals. He is  a biologist working in Switzerland, and has had the good fortune of traveling widely and making photographs. Far more interested in people and cultures than anything else, he's passionate about documenting endangered cultures before they disappear.

He also has featured interesting galleries on his website, including one in Sumba (Indonesia) and another in Kyrgyzstan.

Robert van Koesveld: Thaipusam in Penang

Photo ©Robert van Koesveld.-All Rights Reserved
Robert van Koesveld's biography tells us he has set aside “at least the next 2 years” from his career as a psychotherapist to focus on his crafts of photography, making and traveling.

Considering himself an image-maker rather than a picture-taker, Robert has worked with alternative processes and darkroom printmaking and considers that the digital ‘lightroom’ is an extension of that practice. He returned to photography about ten years ago, and has always been an enthusiastic traveler, traveling with his wife to Laos, Cambodia, Vietnam, China, India, Malaysia and Bhutan. They also travelled to Mali for the Festival au Desert in Timbuktu and explored the Silk Road in Uzbekistan, Kyrgyzstan and Kashgar. They are returning to Bhutan soon where they will travel the West-East traverse to deepen their connection to this country. Together, they are working on photographic essays and articles arising from their shared travels.

Robert's submission to The Travel Photographer blog is a well put together SoundSlides of Thaipusam, with many "in your face" imagery and accompanying soundtrack. Some 800,000 Hindu Tamil and Chinese devotees of Muruga (also called Subramaniam), the Hindu God of War, gathered in Penang (Malaysia) to celebrate Thaipusam, where Robert was at the time.

Apart from his travel website, Robert maintains a fine art photography website well worth one's while to browse around.

It's Thaipusam Time...!

Photo © AP Phots/Joshua Paul - All Rights Reserved

A few days ago, the festival of Thaipusam was celebrated in various Hindu (mostly Tamil) communities in Asia, but its epicenter was in Kuala Lumpur, Malaysia as it has been for the past 125 years. It's a highly symbolic festival celebrated annually with a procession by devotees seeking blessings, fulfilling vows, offering thanks, celebrating Lord Subrahmanya or Lord Murugan, who represents virtue, youth and power to Hindus and is the destroyer of evil.

In Asia, more than a million Hindus thronged temples to celebrate this festival,  during which many display their devotion by piercing their bodies with hooks and skewers. On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks.

The devotees perform “Kavadi”, an act of faith where they suffer the pain of dozens of hooks and spears piercing their body during the 272 steps that bring them to the cave temple.

Yahoo News has featured a collection of photographs taken a various photographers (some photographs are rather gruesome) on its News webpage. These are arranged in a slideshow format.

It is said that there an incredible amount of photographers and photojournalists during the processions and at the Batu Caves; and it takes a lot of doing to avoid taking photographs with other photographers in them. I haven't noticed photographers in the slideshow...but I know full well the amount of effort (and frustration) it takes to do so.

Self mortification rituals are performed in a number of religious traditions; the Shi'a mataam on the day of Ashura is one of them. And I photographed the Kodungallur Bharani, a wild and unusual localized religious festival near Kochi, during which devotees symbolically strike their foreheads with swords till blood trickles down their faces.

Kate Baumgartner: Religious Asia

Photo © Kate Baumgartner-All Rights Reserved
Kate Baumgartner describes herself as an avid photographer, and that may well be an understatement.

Based in Hong Kong, she photographed to Cambodia, Burma, India, China, Namibia, Singapore, Sri Lanka and Vietnam...returning with splendid photographs, like the one above of the Cao Dai monks. Cao Dai is the relatively new, syncretist, monotheistic religion established in 1926 in Vietnam.

Take a look at Kate's gallery of photographs under the Religion category, and you'll find many of the different faiths and traditions of Asia, including the unusual rituals during the Thaipusam festival in Singapore, which is celebrated mostly by the Tamil community. On the day of the festival, devotees will shave their heads and undertake a pilgrimage during which some will engage in self-mortification by piercing their skin, tongue or cheeks with skewers.

Ethan Knight: Faith

Photo © Ethan Knight-All Rights Reserved

Ethan Knight is a documentary photographer and a film maker whose work focuses on the impact of war and poverty on marginalized societies. Currently based in Auckland, New Zealand, his work has been published by The New York Times, the National Geographic, the Wall Street Journal, Lonely Planet Images, Australian Geographic and New Zealand Geographic amongst other publications. He also worked with NGOs such as UNHCR, ICRC, Amnesty International and Human Rights Watch.

Ethan suggested I viewed his Northern Sri Lanka/Jaffna gallery of images, especially those of the Festival of Murugan, The Tamil god of war, but I went further and viewed his entire Faith Gallery in which he features about 34 monitor-sized images of photographs made in Jerusalem, in Sri Lanka and Kenya.

I thought his most powerful images in the Faith gallery were those of the Thaipusam religious festival, especially those of devotees rolling on the ground for 2 kilometers to the entrance of a temple, and self-inflicting wounds to their bodies in the hope of redemption.

After doing so, you may wish to recuperate from the graphic images by viewing Ethan's photographs of the New Zealand Fashion Week 2011.

Roberto Boccaccino: The Flagellanti

Photo © Roberto Boccaccino-All Rights Reserved
Roberto Boccaccino's work on the "flagellanti" was featured in the New York Times' Lens blog, but there are more photographs on Boccaccino's website where he titles his photo-essay as Doomsdays.

Out of his many lovely photographs of this photo essay, I chose the one above as the one that I prefer because of Roberto's use of layers.

Roberto Boccaccino is a freelance photographer. Most of his work is focused on social and geographical storytelling, and he was published by Italian and International magazines such as Foto8, Private Magazine, IO Donna, Stiletto, Euroman, etc. He recently attended the Advanced Visual Storytelling course at the Danish School of Media and Journalism in Aarhus.

The Doomsdays photo essay is about a traditional penitential rite in the southern Italian town of Guardia Sanframondi which is held every seven years. It is the largest self-punishment ritual in the Western world, and is locally known as the “Riti Settennali di Penitenza”.

The ritual starts in the week following the Assumption, when more than a thousand men (and some women), dressed in white and wearing hoods to hide their identities, beat their chests and flagellate their backs with sharp instruments, as a sort of mortification and an act of penance. The practice is also followed in Latin America and the Philippines.

In Islam, it's the Shi'as who have a similar rite which is practiced during Ashura, the 10th day of the month of Muharram in the Islamic calendar, when devout Shi'as commemorate the martyrdom of Hussein ibn Ali, the grandson of the Prophet Muhammad at the Battle of Karbala, by self-flagellating and beating their chests.

Thaipusam is a Hindu festival celebrated mostly by the Tamil community, when devotees may also practice mortification of the flesh by piercing their skin, tongue or cheeks with skewers.

Cedric Arnold | Phuket Vegetarian Festival

Photo © Cedric Arnold-All Rights Reserved

Here's a festival with religious connotations that I ought to add to my list of to do events.

The Phuket Vegetarian Festival is an annual event held in Thailand during the ninth lunar month of the Chinese calendar, and was held  from 24 September - 02 October 2014. It celebrated the Chinese community's belief that abstinence from meat and various stimulants during the ninth lunar month of the Chinese calendar will help them obtain good health, peace of mind, and will also offer spiritual cleansing. Its accompanying sacred rituals grant good fortune on those who observe this rite.

It is thought that the festival was introduced to Phuket by a wandering Chinese opera group who fell ill with malaria while performing on the island.

One of the most exciting aspects of the festival are the ceremonies held to invoke the gods. Firewalking, body piercing and other acts of self mortification undertaken by participants acting as mediums of the gods, have become more spectacular and daring as each year goes by. Men and women puncture their cheeks with various items including knives, skewers and other household items. It is believed that the Chinese gods will protect such persons from harm, and little blood or scarring results from such mutilation acts.

Cedric Arnold's Phuket Vegetarian Festival brings us spectacular monochromatic photographs of this event. Very reminiscent of Thaipusam, the festival includes acts of self mortification that are shocking and gruesome.

Cedric Arnold is a photographer specializing in portraiture, travel, documentary & corporate photography, as well as movie stills. In his personal work, he is often drawn towards exploring the markings of time, this can be in the subject matter itself or expressed with the medium he uses: out of date film, old instant film, or even through chemically altering prints and emulsion.

This is the fourth time that I feature Cedric Arnold's work on this blog. Previous posts can be found here.

Anindya Chakraborty: Charak Puja

Another religious festival comes to The Travel Photographer from Anindya Chakraborty, a self taught photographer from Kolkata. A software engineer in "real" life, Anindya started photography in 2006. He's gravitating towards documentary photography, and on his moving the United States, did a series on Bodie Ghost Town, New Orleans and finally on broken American Dreams. Some of his work was published in Picsean Travel Magazine.

These can be seen on his SmugMug website.

However, I recommend you view Anindya's Charak Puja on The Invisible Photographer website where the photo essay is presented as a flash slideshow.

Charak puja is a traditional festival celebrated mainly in the rural areas of Bengal. It's unique amongst Bengali festivals because it's dedicated strictly to penance. The men and women, seeking to undertake the ritual, have to go through a month-long day fast, subsist only on fruits & perform daily worship.

On the day of the Charak, bamboo poles are erected with height ranging from 10 to 15 feet. The devotees step up to the stages, and are impaled with hooks which are attached to the poles. The devotees are then suspended from these poles.

Reminiscent of the Thaipusam festival, the Hindu devotees of the Charak festival seek penance and self-mortification to achieve salvation.