|Photo © Anthony Pappone-All Rights Reserved|
"If you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things." - Sebastiao Salgado
Readers and followers of my blog know of my distaste for the current spate of photographs that depict indigenous people who are encouraged (monetarily or otherwise) to wear decorative accessories that are not natural to them. Photographers who travel to the Omo Valley are particular susceptible to this 'disease', and are insensitive (but rarely unaware) to the impact transforming members of the various Omo Valley tribes into fashion models with outlandish headgear and accessories.
The exploitation of these tribes by some photographers, travelers and tourists, who view them as nothing but beautiful displays, continues despite the effort of well-intentioned travel companies.
Anthony Pappone's Portraits in The Omo Valley is certainly not one of these insensitive exploitative photographs. His photographs of Omo Valley tribal members are beautiful and simple. There is no artificiality in his portraits, nor is there accessories intended to dupe the viewers. The Omo Valley people are beautiful in their simplicity, and Anthony's photographs prove to us that there is no need for deceit in the representation of these people.
Anthony Pappone is an Italian photographer specializing in travel, festival, portrait, tribes and ceremony photography around the world. Just a traveler before becoming a photographer, he caught the bug during a festival in Ladakh, and he started on a career of following festivals and religious ceremonies wherever these occurred. From Ethiopia to Nagaland, from West Africa's Benin, Ghana, Mali to Yemen...he documented festivals and everyday life with his wide angle lenses.