Pop Photo's 25 Best Places To Photograph

Photo © Carolyn Drake-All Rights Reserved
Popular Photo Magazine has published a feature titled 25 Best Places To Photograph after running a poll amongst various documentary and travel photographers who are drawn to cultures far-removed from ours both geographically and chronologically.

The photographers are, amongst others, Chris Rainier recommending New Guinea, Carolyn Drake recommending Xinjiang, and Andrea Pistolesi recommending Sicily.

Jaipur was recommended as one of the best places to photograph but in my view, that city pales in comparison to a hundred of other more picturesque places in India.

I could have easily straighten that out had I been asked.

And what about Nepal, Bhutan, Bali, Vietnam, Ethiopia....?

Light & Composition Magazine

I'm always on the lookout for new and innovative venues in which photographers (and especially travel photographers) can feature their work, and Light & Composition Magazine appeared on my radar screen via The Raw File Blog's Twitter's Feed.

Light and Composition defines itself as a monthly photography magazine that aims to inspire people towards the true essence of photography, and attempts to take us around the world, to its people, nature, and culture, in pursuit of value and authenticity.

It also featured Around The World in 29 Days, which allowed it to showcase photos from around the world, through the lenses of twenty photographers. From northern Spain to the Bay of Bengal in Bangladesh, from villages in Thailand to the USA, and from the Middle East to the far west.

Via RawFile

Chris Schaefer: Bali Island of Odalan

Photo © Chris Schaefer -All Rights Reserved
Chris Schaefer is a first time participant in my photo~expeditions, and is the fifth to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

Chris is an attorney, and when asked to describe himself for this post, wrote that he "likes to travel to far away places with professional photographers and hopes for a quality photo now and then. He is educated in nothing related to photography, but enjoys snapping the shutter and seeing what happens."

Having seen the results of his "snapping" as he calls it, I think he did extremely well and surpassed his expectations of having a quality picture now and then.

The above photograph is that of a traditional procession on Masceti beach on the Balinese eastern coast during a melasti ceremony. Melasti is the purification of the Pratima deity and other symbols at a beach, and is a fundamental ritual during a temple's anniversary.

Photo © Chris Schaefer -All Rights Reserved
The second of Chris' photographs is of a Legong dancer at the Ubud Palace during a performance. The performance included various dances, such as the Gabor, Baris, Kraton ad the Taruna Jaya. The Legong dance is characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. This dancer in particular used her eyes to convey emotions extremely well.

Photo © Chris Schaefer -All Rights Reserved
The third of Chris' photographs was made at the holiest of Bali's religious sites: Pura Tirta Empul, whose sacred spring is said to have curative properties. The tradition has continued unchanged at the temple for a thousand years. This photograph shows how the Balinese place canang (offerings) at the spouts of the springs.

Lonely Planet's 100 Million Competition

Photo LP's 100 Million Competition/Sreesailam Pasupula -All Rights Reserved
Lonely Planet's competition celebrating its 100 millionth guidebook has ended, and the winning entry was this lovely photograph by Sreesailam Pasupula which features five women on a performance stage at the famous Pushkar Mela.

The competition received over 130,000 photos from around the world, and some of the editors' favorites are featured here.

The Telegraph newspaper in the UK also published results of the competition.

Many of the photographs featured by LP are really very well chosen, and I couldn't help noticing that 13 of the 55 photographs that are featured are of India. About 17% of the total. This is remarkable but I'm not surprised...India is India.

NY Times: Madagascar's Famadihana

Having just returned from Bali where I attended and photographed exhumations and cremations, I was interested in reading a The New York Times' article and watching its accompanying video about the celebratory exhumation of the dead in Ambohimirary, Madagascar.

The article written by Barry Bearak (with accompanying photography by Joao Silva) reports that in the island nation of Madagascar, ancestors are frequently taken from their tombs with musical fanfare from brass bands, sprayed with perfume and wine and the skeletons lovingly rearranged.

It's a testament as to how many traditions are carried over from one continent to the other, from one race to the other and from one culture to another.

Julie Aucoin: Redux

Photo © Julie Aucoin -All Rights Reserved
I've already mentioned Julie Aucoin on this blog, but I've thought of re-posting her recent work which includes a number of South East Asian countries to include Vietnam, and this image of a Bac Ha woman.

Julie who's based in Nevada, describes herself as a passionate photographer, an adventurous traveler and experienced stage manager. She's one of those photographers who, as a child, perused the pages of the National Geographic magazine and this implanted peripatetic seeds in her.

The earlier post on Julie is here.

Damon Winter: 2010 Visa d'Or News Award

Photo © Damon Winter/NYTimes -All Rights Reserved
Damon Winter won the Visa d’Or News award in Perpignan for his work for The News York Times on Haiti and the earthquake’s aftermath. The award is supported by Paris Match and was presented by the Visa Pour l’Image director Jean-François Leroy.

Damon is a New York based photographer who specializes in documentary, editorial, and travel photography. He received a Pulitzer Prize for feature photography in 2009 while with The New York Times.

Check his website on which his Haiti photographs appear...incredibly compelling and powerful.

Houston: Taking A Day (or 2) Off

I'm in Houston for Labor Day weekend and will resume posts in a day (or two) depending...

Bo Jungner: Bali Island of Odalan

Photo © Bo Jungner -All Rights Reserved
Bo Jungner is a first time participant in my photo~expeditions, and is the fourth to submit samples of his work made during the Bali: Island of Odalan Photo~Expedition ™.

Bo holds a MSc in Business Administration and Economics from the Stockholm School of Economics and works for a Swedish-based private equity company. He's also a photography enthusiast who joined my group whilst in Bali with his family.

When I first saw the above photograph of a Legong dancer adjusting her headgear during a melasti ceremony, I told Bo that it was my favorite I had seen from his portfolio. I still think it is.

Photo © Bo Jungner -All Rights Reserved
The second photograph may repel some of the viewers, but washing skeletons is what happens during the exhumation which precedes a cremation in Bali. The whole event is a joyous one for the Balinese as the cremation of the body leads to the release of the soul, and brings final closure to the families. We were photographing in a small village in the Gianyar Regency, and spent some 6-7 hours shooting non-stop under a merciless sun. It was one of the most intense photo shoots during the expedition.

Photo © Bo Jungner -All Rights Reserved
This photograph is of a group of young Legong dancers during a pre-cremation ceremony at a private house. We were welcomed, and feted like old friends by the family of the deceased, and welcomed by the whole neighborhood. The first dancer was really very comfortable with the cameras, and posed for us very professionally despite her young age.

Photo © Bo Jungner -All Rights Reserved
Here Bo photographed the preparation for a cockfight which was to take place on a beach during a temple odalan. Normally, cockfights in Bali are illegal unless these are connected to temple ceremonies.

Burn: Lisa Wiltse: The Mennonites of Bolivia

Photo © Lisa Wiltse-All Rights Reserved
In my view, one of the better photo journals on the web is Burn magazine, which is an online feature for emerging photographers, curated by Magnum photographer David Alan Harvey.

I've recently noticed a fantastic photo essay by Lisa Wiltse that documents The Mennonites of Bolivia who settled in eastern Bolivia’s farmlands more than 50 years ago.

Today, some 60,000 Mennonites call Bolivia their home, and they've come from Mennonite colonies in Canada, Russia, Mexico, Belize and Paraguay, to improve their lives, and live simply, dress plainly and refuse to use many modern conveniences. Similar in their lifestyle to the Amish, the Mennonites lead quiet, dedicated, religiously inspired lives.

Lisa Wiltse graduated from the Art Institute of Boston with a BFA in photography, and moved to Sydney, Australia in 2004 where she worked as a staff photographer for the Sydney Morning Herald. In 2008, she started her freelance career and subsequently moved to La Paz, Bolivia. Her work has been recognized by POYI’s, the National Press Photographers Association, the Sony awards, and others. She has recently been awarded The PDN Emerging Photographer award, and her work was published in The Fader, TIME magazine, GEO, Internazionale, Private Photo Review, The Sun Magazine, Marie Claire, The Australian Financial Review and The Sydney Morning Herald. She is currently a contributor with Getty Reportage.

POV: Hypocrisy

Photo © AP Photo/Bernat Armangue/Courtesy The Big Picture
This post has nothing to do with photography, but I've been thinking about the summer madness that enveloped us in the past few weeks; a madness that came to boil with the orchestrated (and well-funded) demonstrations against the so-called "Ground Zero Mosque" and of course, our media's mendacious efforts to sensationalize all this even further...as well as the subsequent attack on a Muslim Bangladeshi taxi driver in New York City by a 21-year-old knife-wielding Michael Enright...and other acts of violence against Muslims in the Deep South and Upper New York state to name just some I've read about. This is against the backdrop of Mr Obama's enemies eagerly labeling him a Muslim...as if it mattered if he was.

In this frame of mind, I came across Stanley Fish's opinion in The New York Times (link further on), in which he writes:

"The formula is simple and foolproof (although those who deploy it so facilely seem to think we are all fools): If the bad act is committed by a member of a group you wish to demonize, attribute it to a community or a religion and not to the individual. But if the bad act is committed by someone whose profile, interests and agendas are uncomfortably close to your own, detach the malefactor from everything that is going on or is in the air (he came from nowhere) and characterize him as a one-off, non-generalizable, sui generis phenomenon." - Stanley Fish: We've Seen This Movie Before

How very (and sadly) true! Imagine the frothy headlines and cable news had this Michael Enright fellow been Muslim, and had stabbed a Christian, Jewish or even, dare I say it, an agnostic cab driver!

But in my view, here's what Mr Fish's excellent opinion piece left out:

Much hot air has been expended in calling on moderate Muslims to "rise" and "excoriate" the radical Muslims who commit acts of violence. Why should the large majority of the 1.6 billion Muslims, who are not fools, take that transparent bait? The radical Muslims who commit these acts do them as individuals, not as representatives of their faith, tradition or religion. They can say that they do so as loudly as they want...as much and as stridently as the right-wing radicals say that only they speak for real Americans...but they don't.

And whether the right-wing clowns like it or not, Mr Obama's statement at his inauguration is a fact.

"We are a nation of Christians and Muslims, Jews and Hindus, and nonbelievers. We are shaped by every language and culture, drawn from every end of this Earth."

By the way, Muslims in America are responding to the intimidation by producing ads such as this:

9/11 Happened to Us All

Sandy Chandler: Bali Island of Odalan

Photo © Sandra Chandler -All Rights Reserved
A third-time participant in my photo-expeditions (The Gnawa in Morocco, Tribes of Rajasthan & Gujarat, and Bali Island of Odalan), Sandra Chandler is a photographer and interior designer based in San Francisco. She tells us that color, smells and sounds drew her to world travel. Her city's Asian culture first enticed her to China in 1978 when the People’s Republic first opened. She then continued her exploration of Asia by traveling to Bhutan, India, Japan, Singapore, Nepal, Thailand, Tibet, and on to South America and Europe.

The above photograph was made at one of the many odalan anniversary celebrations in Bali during our trip. The musicians play traditional instruments such as the gamelan, and are called upon to perform at many functions, including weddings and cremations.

Photo © Sandra Chandler -All Rights Reserved
The above photograph was made during the Legong dance perfomance at the Ubud Place, and is of the Baris. The Baris is a traditional war dance of the island, in which a male dancer depicts the feelings of a young warrior prior to battle.

Photo © Sandra Chandler -All Rights Reserved
This photograph was made at an odalan held in a forest setting, near the village of Birta. Here, female pemangku are surrounded by incense (known as dupa) smoke used to appease the spirits and accompany offerings at all temple ceremonies.

Photo © Sandra Chandler -All Rights Reserved
The adorable grand-daughter of a wayang kulit (shadow puppet master) was a willing subject for Sandy's lens. We spent about 3 hours at the home of I Wayan Martha, the shadow puppeteer, in Sukawati where he and his assistants gave us a private performance of this traditional Javanese/Balinese tradition.

Sandy also published a book ‘Carnevale, Fantasy of Venice' of her beautiful photographs of Venice and its magical Carnevale.

Moises Saman: Iraq's Final Resting Places

Photo © Moises Saman/NYTimes-All Rights Reserved
A compelling photo essay titled Iraq's Final Resting Places by Moises Saman appeared in The New York Time's web edition. Probably as a sort of commemoration for the so-called official end of conflict in Iraq, the photo essay documents the graves and tombs of the thousands of unknown Iraqis killed since the invasion of 2003.

The Iraqi Interior Ministry estimates that 72,124 were killed since 2003, while at the morgue, it's estimated that at least 100,000 have yet to be identified. Other estimates differ in their calculations, but some reach over 1 million Iraqi civilian deaths since 2003.

Coincidentally, an op-ed by Paul Wolfowitz also appeared in the same edition, calling for the United States to stay true to its "commitment" to Iraq. You'd think these people would disappear in the holes from whence they came, but no...they still don't accept responsibility for our country going to war on false information.

We all know that Wolfowitz was a member of the cabal who vociferously influenced the Bush administration to invade Iraq on false pretenses. We also recall that Wolfowitz was acrimoniously removed from his post at the IMF because of shenanigans involving his girlfriend's pay.

If there was true justice in this world, I'd love to see Wolfowitz at the Cemetery of Martyrs in Najaf, and explain to Muhammad Jassem's mother, aunts and sisters (in the above photograph) why he was killed....and then do the same with the 4000+ US families who lost a family member in Iraq.

Nicky Loh: Tattoo Girls of Taiwan

Photo © Nicky Loh-All Rights Reserved


Nicky Loh is a photographer with Reuters working in Taiwan, whose specialty is news, sports and feature photography, who's interested in documenting traditional art forms such as Chinese opera.

On his employer's blog, he writes of having had an assignment to cover the 2010 Taiwan International Tattoo Convention in Taipei which, while not newsworthy per se, offered him a good opportunity to produce colorful photographs.

He describes how he decided to set up an impromptu studio in one of the empty booths of the convention, and do portraits of women with fully tattooed backs.

Not only beautiful artwork, but also very attractive women...so a "twofer" as they say.

Global Post: Turkish Brothels

Photo © Nicholas Dynan-All Rights Reserved
One of my favorite online news provider is Global Post, not only for its cutting edge news reporting and analysis, but also for its frequent "off-the-beaten-path" features such as the one of Turkish transsexual brothels by Nicholas Dynan.

It also periodically publishes Full Frame which features photo essays and conversations with photographers in the field (including myself).

The Turkish transsexual brothels which, we are told, can be located in the busiest streets of Istanbul, and are the work place of some of Istanbul's transgender and transsexual sex workers.

To the best of my recollection, only one attendee of the Foundry Photojournalism Workshop in Istanbul last June presented work relating to transgender issues. Pedro Gomes, who attended my multimedia class, produced Esmeray, an audio slideshow about a transgender feminist-sex worker-actor.

My Work: The Salt Maker of Kusamba

Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic El-Sawy-All Rights Reserved
A few days before the start of the Bali: Island of Odalan Photo~Expedition ™ , I drove to the eastern shores of the island to photograph the traditional salt making in Kusamba.

I spent a couple of hours with Dewa Yoman Sanat; a traditional salt-maker (or more accurately, salt gatherer) in Kusamba. He guesses his age to be close to 70, and he works at gathering salt everyday under the scorching sun. On cloudy and rainy days, he remains home as a hot sun is needed to evaporate the seawater which leaves a thin film of salt, which is then gathered by Dewa.

He and his wife, Jero Sekar, who also helps him in this back-breaking work, have 7 grand children...none are understandably interested in continuing the salt making tradition. Dewa said that he gets about Rp 5000 (about 50 cents) for every 10 kilograms of salt.

NYT: Pakistan Floods By Tyler Hicks

Photo © Tyler Hicks/NY Times-All Rights Reserved
The catastrophic flooding of the Indus is considered as Pakistan's worst natural calamity, which has ruined almost every infrastructural aspect that connects the country together — roads, bridges, schools, health clinics, electricity and communications. The destruction is also estimated to set Pakistan back decades, will weaken its feeble civilian administration and add to the burdens on its military.

The New York Times has recently featured Tyler Hicks' compelling photographs of the disaster in Pakistan's Floods, as the one above of two young girls quenching their thirst at a water pump in Sukkur. It's said that 20 million people have been affected by the floods; a number of people equal to the population of New York State.

According to the New York Times, a joint study from Ball State University and the University of Tennessee, puts the total cost of the flood damage at $7.1 billion. That is nearly a fifth of Pakistan’s budget.

I sense an apathy amongst the Western and Islamic nations to assist Pakistan in its difficulties. Is it because of the widespread perception (or knowledge) that the Zardari's government is riddled with corruption and cronyism, and thus may divert some of the aid? Or is it Islamophobia? Or is simple donor fatigue after Haiti? I tend to think it's all of the above and perhaps more.

And while I'm on the subject, is it only me who now increasingly relies on foreign cable news like China Network Television (CNTV) and RT (the Russian 24/7 English-language TV) for in-depth international news??? The added bonus of course is that these stations have no interest in Glenn Beck and the repellent clowns of his ilk as does CNN, MSNBC, et al.

Jon Vidar: The Tiziano Project

The Tiziano Project presents the journalistic efforts and personal accounts of Iraqi citizens living in the Kurdish north, along with stories produced by their professional multimedia journalism mentors.

An extremely well-made multimedia project, it includes stories such as those on the Yazidis, nomadic mountain-dwelling Kurds, a pigeon keeper, a muezzin, a klash maker, and many more.

The mentoring team consist of Jon Vidar (one of the talented instructors at the Istanbul Foundry Photojournalism Workshop, and a freelance photographer who developed self-assigned projects spanning six continents, including work in Iraqi Kurdistan, Southeast Turkey, Rwanda, and Brazil), Victoria Fine, Grant Slater and Chris Mendez.

Rose Schierl: Bali Island of Odalan

Photo © Rose Schierl-All Rights Reserved
Here's the work of Rose Schierl; the second participant of the Bali: Island of Odalan Photo~Expedition ™ to send images to post on this blog.

Rose has been photographing since 2005, and only gone digital two years ago. She hasn't gone through any formal photographic education per se, but attended various short workshops, and those set by Arizona Highways. Rose won an award at a juried show for one of her photographs in 2009. She's also an accomplished diver, and before the photo expedition was on a diving vacation for a couple of days in the north-west of the island.

So far, it appears the fire-walkers at the end of the Kecak dance performance we attended in Ubud was a favorite subject for the group members. Rose managed to capture one of them kicking a blast of glowing embers (above).

Photo © Rose Schierl-All Rights Reserved
One of the shoots I organized during the photo-expedition was at the house of a wayang kulit (shadow puppet) master, where we were treated to a private performance The wayang kulit is an extremely important vehicle of culture, serving as carrier of myth, morality play, and form of religious experience rolled into one. Here, the master is moving one of his shadow puppets during the performance.

Photo © Rose Schierl-All Rights Reserved
Here's a Balinese villager who was attending a night odalan in Bitra village. The temple anniversary was one of the most interesting we've been to during the 2 weeks photo-expedition. Not only did it involve the requisite day-time religious prayers and offering in an exquisite forest setting, but it included performances of Barong and Arja dances.

Photo © Rose Schierl-All Rights Reserved
Rose captured a dancer during an evening Legong performance at Ubud's palace. The performance included various dances, such as the Gabor, Baris, Kraton and the Taruna Jaya.

New Canon D60

It's all over the blogosphere...Canon announced the EOS 60D, a sort of “replacement” for the 50D. According to the reviews, the 60D body is plastic, and uses SD cards instead of the CF.

It's certainly built for video. It has a pop-out, tilt-and-swivel rear screen which, even if it's Canon’s first on an SLR, would just drive me insane. Video can be shot at different sizes and speeds. 1080p is available at 24p, 25p or 30p frame rates.

According to WIRED's Gadget Lab, its 18MP sensor (like the LCD panel) is the same as in the 550D or Rebel T2i, its AF system comes from the 50D and the 63-zone exposure meter comes from the 7D. So it's dubbed the "Frankencam".

It will go on sale in September for $1,100 body-only.

Santa, I have no interest.