Sunday, 20 May 2018

Beyond The Frame | Huā | GFX50s



I've been absent from this blog for a while due to 'busy-ness', and working on a new audio-slideshow (aka photo-film) titled "The Legend of Hua"...which turned out to be more time-consuming than I anticipated, due to the various audio tracks that had to mesh with still photographs.

In the meantime, I uploaded a sample of the still images from the soon-to-be released audio slideshow unto my Exposure website, however I chose to post process these differently from those in the slideshow. 

I had read that a photographic technique merging silver printing with charcoal painting was widely popular in the 1920-1930s Shanghai, so I explored various modern digital post processing ways to try and imitate that 'look' as closely as I knew how.

After a number of failed attempts, I chose a process which mixes a combination of my own settings using two imaging softwares; ON1 Photo Raw 2018 and Iridient Developer 4. When I was satisfied with the resultant 'look', I saved the presets for the two programs, and it was more or less a cinch to just apply these to the images I had chosen for the gallery. That said, I still had to tweak a few of them...taking into account the disparity in lighting condition at the time of the shoots, so as to achieve uniformity as much as possible.

Insofar as the hardware is concerned, I used the Fuji GFX50s and its 63mm lens. This 'medium-format' camera is my go-to tool for such photo shoots, and I regret not having the 45mm I acquired after my Shanghai trip, as it would've given me a wider angle to work with.

All the images in this gallery were made in Shanghai and the nearby water town of Xitang. The latter is an idyllic setting and its ancient buildings date back to the Ming and Qing dynasties, which include the teahouse where parts of the famed movie "Lust, Caution" was filmed.